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Review: Justice League – The Flashpoint Paradox

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Years from now, Justice League: The Flashpoint Paradox may be looked at as the animated film that took the direct to video comic book movie market to another level of storytelling possibilities. Yes, it’s that good.

The 2011 Flashpoint comic book event was the DC answer to the enormously popular 1995 X-Men storyline The Age of Apocalypse. That story also saw a radically different alternate world where heroes were villains, unpredictable alliances were commonplace and the remaining heroes were wearily accepting of the fact that there’d be no happy ending in their bleak and desolate universe.

Screenwriter Jim Krieg (Ben 10) takes what could have been an overwhelming story to condense into 80 minutes and deftly covers the essential subplots and themes into a stirring and compelling what if? adventure without sacrificing the important elements. Still, some comic purists may be miffed at the removal of certain characters like Elemental Woman.

Flash/Barry Allen (Justin Chambers, Grey’s Anatomy) is making his annual visit to his mother’s grave site, unreasonably blaming himself for being too slow to prevent her murder. He doesn’t have long to beat himself up when he’s alerted to a robbery at the Flash Museum. The Rogues — a tight-knit collective of Flash’s villains — have decided to vandalize the museum at the prompting of Reverse Flash (a fantastically evil C. Thomas Howell), Barry’s longtime super speed nemesis.

Flash takes care of them with the help of his Justice League teammates — a minor annoyance as he’s more than capable of handling Captain Cold and crew without needing Captain Atom and Cyborg, even if it was fun watching the quick banter between Flash, Batman and Green Lantern (the tremendous Kevin Conroy and Nathan Fillion). But the next day, Barry awakens to a drastically different world. Batman (Kevin McKidd) is a gun-toting vigilante while Aquaman (a fantastic Cary Elwes) and Wonder Woman (Vanessa Marshall) are locked in a bitter war that threatens to destroy the planet.

Cyborg (Michael B. Jordan, Fruitvale Station) is desperately trying to rally the planet’s heroes to stop them and in Flash, may have found the one ally who can help turn the tide assuming Barry can get his powers back and learn the real cause of this world gone mad.

Director Jay Oliva doesn’t shy away from vividly depicting the brutal violence of the source material and watching longtime heroes killing opponents and allies without remorse means so much more than cheap shock value. You’ll care about the changes in the heroes and be stunned at their warped new attitudes and be equally surprised at who rises up to stand against them.

The fight scenes are well laid out and despite the constant action, Oliva makes it easy to follow while successfully building upon each battle to deliver a sprawling, high stakes conclusion.

Character designs are a bit rough in some cases — some of the more muscular heroes have broad chests and smaller heads, but that’s a matter of aesthetic preference. The voice cast is some of the best in the DC films with McKidd, Elwes and Howell really standing out. DC Animated should lock up Jordan and Chambers to long-term deals as they perfectly embody Cyborg and Barry Allen in a way that no other actors have been able to with the characters in previous Justice League films.

Like its comic inspiration, Flashpoint Paradox ends with a shift to the new DC Universe status quo complete with a post credit scene that new DC readers will find a thrilling hint of the next DC Animated film Justice League: War, which you can see the trailer for here.

DC Animated has consistently delivered solid to excellent feature film adaptations of some of the most popular DC Comics Universe stories, but none have delivered the combination of action, mature themes, complexity of characters and emotional depth the level of Flashpoint Paradox.

This is a must-buy for comic book fans and a required purchase for DC Comic readers.

 Rating: 9.5 out of 10

Check out more of my reviews here.


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The Author


When I'm not complaining about how much better wrestling was back in the "good 'ol days," anxiously awaiting the return of the real DC comics universe and chatting away on The Fwoosh, I'm catching and reviewing the latest films here on and my own site


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  1. Wow. I didn’t even know about this release. As I’m new to this side of the THEFWOOSH site, I am impressed and compelled to log on more often! I love DC animated features. I collect those like I do DCUC & Marvel Legends. I didn’t read the Comics or the trade,but this JL:FLASHPOINT Paradox is a must buy for my video library. Thanks for the heads up and stellar review! I see the shelves are empty @my local Target. BlueRay copie sare totally sold out!

    1. Hey!

      The comic is an interesting “what if?” type story that DC could have stretched out longer as their alternate reality covered the whole universe not just a pocket and there seemed to be more stories that could have been told in that universe.

      I’m seeing that Flashpoint Blu-Ray is sold out in a lot of places. Maybe Best Buy or TRU may have them, still?

      Thanks for the kind words!

  2. Just watched this the other night, and have to respectfully disagree. I thought the brutal violence and heroes killing opponents was purely cheap shock value. I wasn’t stunned or surprised about the warped characters because it became obvious right away that they were all going to be monstrous, without any explanatory depth.
    I did not read the comic version of this story, so there may have been a lot of character development and backstory happening there. But I feel that this feature should fly or fall as a stand-alone, and in that sense I found it hackneyed, cliche, and indulging in a little too much horror-porn than I find comfortable in a DC superheroes story.
    Just my 2 cents though!

    1. Hey man

      Taken on its own I can kinda see your point, but in essence, Flashpoint is the warped, alternate version of the “good and pure” DCU where girlfriends get stuffed in fridges, wives get raped and villains get mind-wiped. Hmmn. I’m ruining my own argument.

      I think with the next big event being better than the next one and death becoming too commonplace in comics, I liked having a reason for the heroes being darker and psychotic as opposed to a writer just deciding everyone needs to be cutthroat Punisher-types.

      (Comic) Flashpoint had a lot of potential, but I think it got rushed through so DC could move on to the DCnU so I wouldn’t recommend giving that a shot. The movie is more streamlined and surprisingly not as dark as some of the more shock horror-porn elements in the comic.

      Thanks for commenting pal! Always good to see a difference of opinion that isn’t calling for my head!


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